August 6, 2012
Jonas Mekas, regarded as the godfather of the American Avant-Garde, and José Luis Guerín, an accomplished documentary and narrative filmmaker, embark upon a series of film correspondence as part of an ongoing project funded by Barcelona’s Centre of Contemporary Culture. Though commissioned rather than ‘found’, the correspondence between the two is clearly the result of genuine friendship and a very earnest passion for visual representations of the moments and thoughts that construct life.
The two styles are almost polar opposites and as such compliment one another by creating an almost natural wave-like ebbing to and fro – Guerín’s videos to Mekas in black and white, perceiving the cities, people and spaces with the eye of an auteur expressing a reflective world view, filming never ‘taping’, whilst Mekas’ videos to Guerin are like home videos up from the underground blending the public and the personal with innocent ease. From revolving doors with stunning reflections in Guerín’s examination of the people he records and their supposed inability to put down roots in expansive public spaces to Mekas’ following an unaware Ken Jacobs down the street and occasionally filming his own feet in the wake of stopping to speak and smell lavendar – Correspondence is paced naturally with an intuitive rhythm that carries the viewer safely between a personal conversation and filmic endeavour from beginning to end.
The natural passing of time through recording of seasons gives the film its temporal structure effortlessly as our narrators release their perspectives on the world through honest nuggets; “I react to life”, and gentle reassurances that we are not intruding on their personal diaries; “It’s only part of a game”. An experience akin to being a very welcome guest in someone else’s home, Correspondence is a citric delight in a varied feast of a festival.